Music

“It’s a game changer,” my friend said, as we exited “Scott Pilgrim vs. the World,” perhaps not even realizing the multilevel nature of his comment. By “game,” he meant that it was the most original film he’d seen since “Pulp Fiction.” It’s also true that it changes the game of filmmaking because it comes at us like a videogame.

Pilgrim must vanquish seven levels of Exes. As he does so, they turn into coins at his feet (each level more coins). At one point, he “gets a life” from out of the air, or the scoreboard on the screen, as the case may be. It’s like that. You may find this extremely annoying. Especially if you’re not a fan of videogames, or have never played them.

Pilgrim plays very much like an amped-up version (sonically and visually) of Michael Cera’s earlier “Nick and Nora’s Infinite Playlist.” We have star-crossed lovers. We have obstacles. We have a band, and rock and roll as a backdrop.

I truly think it’s safe to say that those who love videogames, rock and roll or great love stories will enjoy this film. The only flaw I could find with it is that the beloved heroine, played by Mary Elizabeth Winstead, wasn’t really as life or death as she needed to be. But maybe that’s just our age, everyone is lackadaisical.

The fight sequences, as you would expect, get more intense and spectacular as our hero gets a level further. Mae Whitman, so quiet and reserved on TV’s “Parenthood,” here kicks some serious booty. It’s wonderful. The final one, with Jason Schwartzman, is brilliant and wonderful and fun. Oscar nominee Anna Kendrick gives a very different version of herself as Scott’s beleaguered sister.

All of it comes from Brian Lee O’Malley’s graphic novels, but writer Michael Bacall and writer-director Edgar Wright (Shaun of the Dead) give it shape and keep it flowing along. Very fun movie.

1. RODRIGO Y GABRIELA Tamarcun

2. LADYHAWKE My Delirium

3. RODRIGO Y GABRIELA Buster Voodoo

4. TIMBER TIMBRE Lay Down in the Tall Grass

5. ANNA TERNHEIM What Have I Done?

6. HENRY CLAY PEOPLE Working Part Time

7. WILCO (w. Feist) You and I

8. SHE & HIM Please Please Please Let Me Get What I Want

9. EARLIMART God Loves You the Best

10. ALEXANDRA HOPE Dangerous

Let’s look at the facts for a minute here.

Kanye West gets up on stage and interrupts an acceptance speech at the MTV Video Music Awards by Taylor Swift.

The audience boos, the country is in an uproar (it’s all Twitter can talk about for awhile). There are rumors of him “being drunk” (as if that makes it ok or understandable).

The next day, everyone apologizes to everyone, and we go on.

Except this. It was fake. And here’s why.

Jay Leno, whom NBC is banking a heck of a lot on with his new 10 pm gig, just happens to have his first show right after the VMAs. Funny. His guest is Kanye West. Huge ratings.

Two days later, Taylor Swift is on The View, also talking about the VMA debacle. Also huge ratings.

Except this. BOTH guests were booked prior to the VMAs.

And, further, both guests are clients of agency William Morris Endeavor (WME) Entertainment. Coincidence? I think not.

Remember that Bruno/Eminem debacle, which later turned out to be staged? Both of them, also clients of WME.

Now here’s the thing.

Do these people actually think this kind of media manipulation works? Obviously they do. They did it with Bruno/Eminem and came back for more for the VMAs.

They don’t, apparently, realize that we are in a different age now. The age of transparency. Where a person is accountable for their actions. Further, where things can be checked with a few keystrokes.

The end result of all of this, to my eyes, is that everyone looks bad.

Eminem. Bruno. Kanye. Taylor Swift.

But most especially the charlatans at William Morris Endeavor, who use these old school tricks when we are in new times. Shame on you!